Guides / Stitching
Stranded cotton comes as six strands that are almost never stitched together. Knowing how many to use, and two minutes of preparation, save you knots and dull stitches.
Stranded cotton comes as six strands that are almost never stitched together. Knowing how many to use, separating them properly, cutting the right length and threading without losing your temper take a few movements, always the same, that soon become automatic.
The number of strands follows the fabric: the bigger its holes, the more thread it takes to cover it. The chart's key often says; if not, here is the common practice. Backstitch, which draws the outlines, is nearly always worked finer, as the guide to half stitches and backstitch explains.
| Fabric | Cross stitch | Backstitch |
|---|---|---|
| 11-count aida | 3 strands | 1 or 2 strands |
| 14-count aida | 2 strands, 3 for fuller coverage | 1 strand |
| 16-count aida | 2 strands | 1 strand |
| 18-count aida | 2 strands, or 1 for a lighter look | 1 strand |
| 28-count linen over two | 2 strands | 1 strand |
Tip. The test is simple: stitch a few crosses in a corner of the fabric. If the fabric shows between them, add a strand; if they puff up and overlap, take one away. The fabric calculator suggests 2 strands on 14-count and 1 from 16-count up: a starting point, not a law.
It is one of the questions beginners ask most. Three causes, in order. Thread pulled too tight, pinching the block: ease the tension. Strands twisted together instead of lying side by side: separate them and put them back together, as below. Or simply not enough thread: go from two to three strands on 14-count.
Dark threads on pale fabric, such as black 310, let the fabric show more than others: they are where a third strand is most worth it. Keep the same number of strands for a whole colour, though, or the difference shows. And washing plumps stitches up, as the guide to washing a piece points out.
On 18-count, beware the opposite problem: at two strands, each hole already takes eight strands once its four neighbouring stitches are done, and twelve at three. The needle goes through badly and the stitches pack down.
Leave both paper bands on: one carries the colour number, and together they stop the skein falling apart. Hold the skein by one band and gently pull the end that sticks out. If it resists or loops, try the end on the other side: one of the two always runs freely.
Many stitchers then wind the whole skein onto a small card bobbin and write the number on it. The threads stop tangling in the box, and the number never gets lost. If the band has gone, the thread's page in the colour chart helps you find a reference from its colour.
Cut about 50 cm, roughly the distance from your fingertips to your elbow. A longer thread seems to save time, but it wears from going through the fabric again and again and tangles more: the end of the length ends up duller and fuzzier than the start. For the loop start, take a single strand twice as long, about a metre.
Never pull two strands at once to tear them from the rest: the others twist and end in a knot. Separate them one at a time, then put back together the ones you need.
Tip. Separated and put back together, the strands lie parallel instead of twisted round each other: they cover the fabric better, and the stitches take on a slight sheen.
First trim the end of the thread cleanly: a frayed end will not go through the eye. And use a needle sized for the fabric, 24 for 14-count aida: the guide to what you need gives the other sizes.
Push the little wire loop through the eye, slip the thread into the loop, then pull it back: it draws the thread with it. Either way, leave about ten centimetres hanging: that tail will not slip out of the eye while you stitch.
Each stitch turns the thread a little on itself. After a dozen stitches it twists, shortens and starts to knot. Now and then, let the needle hang below the work: it spins by itself and the thread untwists.
When only ten centimetres or so are left, end the thread without waiting for the last moment. How to start and end it neatly, without a single knot, is the subject of the guide to starting and ending a thread; the stitch itself is in the guide to how to cross stitch.