Guides / Stitching
Cross stitch is done without knots: a knot makes a bump under the fabric and can pull through. Three ways to start and one to finish are enough for everything.
Cross stitch uses no knots: a knot makes a lump under the fabric, shows through once the piece is stretched, and can even pull through a hole in the aida. One principle replaces it everywhere: at the start, the thread is held under the first stitches; at the end, it is slid under stitches already made.
It is the neatest and quickest way to start two strands, and the one stitchers often discover with a “why did nobody tell me sooner?”. It takes a single strand, twice the usual length. Preparing the strand is covered in the guide to preparing the thread.
Tip. The most common mistake: threading two strands folded in half, which puts four strands in every stitch. To stitch with two strands using the loop, start from one. The loop only works with an even number: for one or three strands, use the next method.
The universal method, for any number of strands.
If holding the tail is fiddly, an away knot does the same job. Tie a knot at the end of the thread and go down from front to back about 3 cm from your first stitch, on the path of the stitches to come. The knot stays on the front; at the back, the thread runs to the first stitch.
Stitch towards the knot: at the back, your stitches cover the thread. Once they reach it, cut the knot off on the front. The thread stays held by the stitches, and there is no knot at all.
End the thread when about ten centimetres are left, or when you have finished an area of colour.
Tip. Preferably slide the thread under stitches of the same colour, or a darker one: a dark thread such as 310 hidden under pale stitches can show through.
To reach an area of the same colour a few squares away, you can carry the thread across the back without ending it. Beyond three or four squares of bare fabric, end it and start again further on.
A long thread across the back shows through aida, especially a dark colour on pale fabric. And it catches: as you make the next stitches, you pick it up with the needle without noticing.
A chart full of single stitches makes this a chore. If yours is one and came from the converter, there is still time to simplify it: the guide to reducing the number of colours shows how.
Nobody looks at the back of a piece, but everybody sees its effect. To frame it, the work is stretched over a board: every knot, every bundle of thread at the back then makes a lump you can see on the front. A flat back is a piece that stays flat, as the guide to framing a piece shows. The stitch itself is explained in the guide to how to cross stitch.